{"id":118,"date":"2017-02-16T11:05:31","date_gmt":"2017-02-16T10:05:31","guid":{"rendered":"http:\/\/csaa.upol.cz\/?p=118"},"modified":"2017-02-17T09:08:02","modified_gmt":"2017-02-17T08:08:02","slug":"mariana-machova-elizabeth-bishop-and-translation","status":"publish","type":"post","link":"https:\/\/csaa.upol.cz\/?p=118","title":{"rendered":"Elizabeth Bishop and Translation &#8211; Mariana Machov\u00e1"},"content":{"rendered":"<p>The book examines the relationship between translation and original creation in the works of the American poet Elizabeth Bishop, suggesting that translation can be seen as a poetic principle which can be related to the poet\u2019s original works, too. The book offers a detailed discussion of all the translation projects Bishop undertook throughout her life (from Ancient Greek, French, Portuguese and Spanish), both published and unpublished. They are seen in the context of her life and work, and analyzed with particular regard for the features which are relevant in relationship to Bishop\u2019s own works. Bishop\u2019s work as a translator has not been explored thoroughly yet, despite the huge critical interest in Bishop in the last decades, and one of the aim of the book is to offer such exploration. The second part of the book focuses on the ways Bishop\u2019s interest in translation and her experience of a translator is manifested in her original works. Bishop\u2019s poems are read with particular attention paid to the features which relate them to translation, particularly the complex interaction between the foreign and the familiar, which is examined not only in her poems dealing with exotic places (namely Brazil), but also in texts dealing with more familiar topics and locations. The final chapter argues that a crucial role in Bishop\u2019s works is played by the unknown \u2013 that which is impossible to understand and translate fully. The book also suggests that, on a more general level, a type of poetics which shares certain key features with translation could be defined.<\/p>\n<div id=\"ctl00_MainContent_ISBNTabs_C2\">\n<div>\n<div class=\"isbn-toc\"><span id=\"ctl00_MainContent_ISBNTabs_ISBNTOC\">Part I. Elizabeth Bishop\u2019s Translations<br \/>\n1. Aristophanes<br \/>\n2. Max Jacob<br \/>\n3. The Diary of \u201cHelena Morley\u201d<br \/>\n4. Clarice Lispector<br \/>\n5. An Anthology of Twentieth-Century Brazilian Poetry<br \/>\n6. Sambas and Popular Songs<br \/>\n7. Octavio Paz<br \/>\nII. Translation in Elizabeth Bishop\u2019s Poetry<br \/>\n8. The Foreign<br \/>\n9. The Familiar<br \/>\n10. The Unknown<br \/>\nEpilogue: Translation as Poetics<\/span><\/div>\n<\/div>\n<\/div>\n<p><span id=\"ctl00_MainContent_ISBNTabs_ISBNImprint\" class=\"isbn-imprint\">Lexington Books<\/span><\/p>\n<p><span id=\"ctl00_MainContent_ISBNTabs_ISBNPages\">Pages: 182<\/span> \u2022 <span id=\"ctl00_MainContent_ISBNTabs_ISBNTrim\">Size: 6 1\/4 x 9 3\/8<\/span><\/p>\n<div id=\"ctl00_MainContent_ISBNTabs_PN_HARDBACK\"><span id=\"ctl00_MainContent_ISBNTabs_LB_HARDBACK\" class=\"dxeBase isbn-format-label\">ISBN 978-1-4985-2063-8 \u2022 Hardback \u2022 November 2016<br \/>\n<\/span><\/div>\n<div id=\"ctl00_MainContent_ISBNTabs_PN_EBOOK\"><span id=\"ctl00_MainContent_ISBNTabs_LB_EBOOK\" class=\"dxeBase isbn-format-label\">ISBN 978-1-4985-2064-5 \u2022 eBook \u2022 November 2016<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The book examines the relationship between translation and original creation in the works of the American poet Elizabeth Bishop, suggesting that translation can be seen as a poetic principle which can be related to the poet\u2019s original works, too. The book offers a detailed discussion of all the translation projects Bishop undertook throughout her life (from Ancient Greek, French, Portuguese and Spanish), both published and unpublished. They are seen in the context of her life and work, and analyzed with particular regard for the features which are relevant in relationship to Bishop\u2019s own works. Bishop\u2019s work as a translator has not been explored thoroughly yet, despite the huge critical interest&hellip; <a class=\"read-more\" href=\"https:\/\/csaa.upol.cz\/?p=118\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":119,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=118"}],"version-history":[{"count":5,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":219,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/posts\/118\/revisions\/219"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=\/wp\/v2\/media\/119"}],"wp:attachment":[{"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csaa.upol.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}